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Her band members and managers and assistants and dread technician stroll in, and the dining room is filled with turkey, spaghetti and meatballs, vegetable lasagna, barbecued wings, rice, stuffing, biscuits and gravy. Around 10:30 P.M., Lauryn’s holiday party starts bubbling.
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It’s two days before Christmas and the Hill home is in full festive swing, with white candles and red poinsettias and a Christmas tree with blinking lights, a porcelain black Mary and Joseph at its base and a little black angel on top. I’ve always been very happy just bein’ me.” I don’t feel like my money or my success defines me. This is not a museum, and I’m not in any rush to impress anybody. “And if you saw where the Grammys were, you’d be like, ‘This is a travesty!’ But I can’t look at that stuff all the time, because I don’t ever wanna become complacent like that. “I have about thirty plaques that stay in one closet,” Lauryn says. and Australia, but where are the two Grammys Lauryn won with the Fugees in 1997 for The Score? Where are the plaques commemorating the 3 million people who have purchased The Miseducation of Lauryn Hill (recently nominated for eight Grammys, with Lauryn getting another two nominations for her work on Aretha Franklin’s “A Rose Is a Rose”)? Or the 18 million who have paid for The Score? There are a few plaques celebrating the millions of “Killing Me Softly” singles sold in the U.K. In the bathroom, an exquisite Asian-style dragon’s mouth is a faucet, and dragon tails are knobs. There are cream walls and a huge ornate mirror in the front room, and all sorts of comfy chairs and couches everywhere.
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It’s a house of such grand size and tasteful decoration that the Huxtables, Bill Cosby’s TV family, might have lived here. Lauryn lives here with her parents she bought the place for them “when I got a little money.” It’s roomy enough for Lauryn, her mom and dad, her children – year-and-a-half-old Zion and three-month-old Selah – and her man, Rohan, as well as a driveway long enough to fit Lauryn’s green Land Rover Defender, Rohan’s red Range Rover and Mom’s Range, too. We arrive at the Hill home, a three-story brick house in an upper-middle-class neighborhood of South Orange, New Jersey, five minutes down the road from the house where Lauryn grew up. There’s a lot of people who need to hear a ready-made, instant-meal, TV-dinner-type thing – where you just put it in the microphone – the microwave, as opposed to potential.” There are a lot of young people who will be given more leeway. I think we have helped to make people less afraid. “I think now people feel a little more comfortable playing with the parameters. Lauryn believes she’s already having an impact. And, most definitely, Lauryn is Princess Leia.” Prince, Ste-vie, James, Marvin and George are our Yoda and Obi-Wan Kenobi. “There are very few people who are on the side of art and are goin’ up against the Death Star. ?uestlove), drummer for the Philadelphia hip-hop band the Roots. “Black music right now is like this whole Star Wars battle,” says Ahmir Thompson (a.k.a. Its instant success has put her in the vanguard of the modern hip-hop-soul movement. Lauryn has fought this war for eleven years, first with the Fugees and now with her self-produced debut solo album, The Miseducation of Lauryn Hill, a talking book that tells the history of soul, R&B, reggae and hip-hop. “Well, there’s always a constant spiritual war, but there’s a battle for the souls of black folk, and just folks in general, and the music has a lot to do with it.” This is the Lauryn Hill who doesn’t just want to make music – she wants to change the world. “There used to be flea markets by my house where you could buy all sorts of little things. “The small-business man who made America individual is gone,” she says. The conversation flows on, touching on war and the media and modern America, Lauryn consistently siding with the unempowered with an earnestness and a conviction rarely heard outside of vintage Black Panthers footage. “If I’m not performing, I’ll be in church.” “He wants me to do Lalibala, Ethiopia, on the eve of the new century.” Ethiopia is the Rastafarian holy land. A moment later, Lauryn says, “Bono said my album is one of the most important of the year.” She is incredulous, but calm and respectful.